Is Hamilton an academic, perfectly accurate historical interpretation? Of course not. But what it does do is use catchy tunes—and primary sources—to make history accessible and entertaining to a new generation of Americans. And after recently attending a performance of the show, these documentary editors wholeheartedly agree.
A history enthusiast myself, I wondered how historically accurate the musical is, and how much in the historical record it dramatizes for the sake of entertainment. As a research specialist at the Washington Papers, I was particularly interested in how the musical portrays the relationship between Washington and Hamilton. It seemed to me that Miranda had accurately captured the mutual respect, trust, and loyalty of the two, while being cautious about depicting their friendship more informally.
From September 14 to 17, the University of Virginia (UVA) hosted Human/Ties, a four-day celebration of the 50th anniversary of the National Endowment for the Humanities (NEH). To explore and honor the vital role played by the humanities in today’s world, the forum brought together multiple University departments and programs, including the Washington Papers, as well as speakers and artists from across the country and around the world.
Through history, people can share common experiences that connect them beyond the context of their time. First love is one of those experiences. Regardless of whether the memory of our first love remains obstructed by the pain of heartbreak, has left a bitter taste in our mouth, or is forevermore hidden in our secret garden, it has tainted us each in some way. George Washington, too, experienced that unique kind of love with Sarah Cary Fairfax (“Sally”) shortly before his lifelong communion with Martha Dandridge Custis began in 1759.