Samuel Roukin is used to strangers coming up to him and saying, “I hate you.” And he loves it. Roukin has portrayed the villainous John Graves Simcoe on the AMC television series Turn: Washington’s Spies for three seasons, and the British officer is a character fans love to hate. “My job is to humanize,” says Roukin. “That means it’s working.”
It may have started with a headache and a fever, or just a general feeling of malaise. It could have struck after a night’s rest, when his morning routine of rising from bed was painfully curtailed by a severe backache unlike any he’d experienced before. A chill running throughout his body—abnormal in the extreme heat of the tropical climate of Barbados—could have been the first signal that something wasn’t right. However the illness chose to first present itself, within a few days a rash appeared on his skin. Less than two days from their emergence, the eruptions grew and spread, covering his entire body.1 George Washington was only 19 years old. He was on an adventure in the West Indies, and he had smallpox.
From September 14 to 17, the University of Virginia (UVA) hosted Human/Ties, a four-day celebration of the 50th anniversary of the National Endowment for the Humanities (NEH). To explore and honor the vital role played by the humanities in today’s world, the forum brought together multiple University departments and programs, including the Washington Papers, as well as speakers and artists from across the country and around the world.
Ian Kahn knows George Washington. For three seasons, he has played the General on the AMC television series Turn: Washington’s Spies. An accomplished stage actor, Kahn has also appeared on Dawson’s Creek and Sex and the City. Washington Papers editors Kim Curtis and Lynn Price recently spoke with Kahn about his work on Turn, what this season holds in store, and what George Washington means to him.
For me, history is the study of people, and I have “met” quite a few interesting folks while working on George Washington’s Barbados diary. Due to a lack of sources, most of these people will become vague acquaintances at best. However, one of those individuals has captured my imagination—Gedney Clarke.
Last month, my colleagues Lynn Price and Edward G. Lengel and I had the amazing opportunity to visit Barbados, where George Washington traveled—and had the foresight to write about—more than two-and-half centuries ago.
With George Washington’s Barbados Diary transcription complete, the next phase to accomplish is the all-important task of annotation. Placing the document into proper historical context is the backbone of documentary editing—a document on its own is only part of the story. Annotation is time-consuming, detail-oriented work that can require hours of research to compose one or two sentences. But perhaps more importantly, for this historian, it is incredibly entertaining.
Though the project only began in July 2015, the Washington Papers is pleased to announce that our transcription of George Washington’s Barbados diary is complete!
“I cannot tell a lie.” A young George Washington allegedly spoke these words to his father after being caught cutting down a cherry tree, confessing his transgression. While this tale was meant to illustrate young George’s virtues as a worthy hero, it has also been used throughout the years as a moral lesson to American youth. If George Washington could tell the truth in such intimidating circumstances – shouldn’t you?
Early last week, Washington Papers Assistant Editor Lynn Price and Research Editor Alicia Anderson joined Director Edward G. Lengel at a meeting at the Navy Yard in Washington, DC, to discuss the project’s upcoming publication of George Washington’s Barbados diary of 1751–1752.